Episode #252: Deep Breath

"I'm the Doctor. I've lived for over two thousand years, and not all of them were good. I've made many mistakes, and it's about time I did something about that. Clara, I'm not your boyfriend."

Episode #252:      Deep Breath.
Companions:        The 12th Doctor and Clara Oswald.
Air Date:              23rd August 2014.

Shortly after his regeneration, the Twelfth Doctor arrives in Victorian London, and Clara Oswald struggles to embrace the new man the Doctor has become. All the while, they reunite with the Paternoster Gang to investigate a series of combustions that have been occurring all around the city.

And so begins the 12th Doctor's era on the show and what a great start it is. Deep Breath is a bit of a rather odd story though. Since the end of The Time of the Doctor, somehow he and Clara ended up back in the Mesozoic, swallowed by a dinosaur (and that is enormously incorrect in it's size) and somehow time travels with it to the Victorian era where robots are stealing body parts. By Doctor Who standards it's probably just another Saturday.

The Doctor's new persona is quite similar to that of the 1st Doctor, in that he is rather a grumpy grandfatherly figure. A bit rude perhaps but also funny. I had wondered whether this was intentional as this is a brand new reset of regenerations. I don;t know whether that was the case but it seems to fit the new personality.

The new element of this story is that the robot body part thieves aren't just a random villain for a one off post-regeneration story. They are in fact connected to a previous story The Girl in the Fireplace. You may remember that one as the story where the 10th Doctor, Rose and Micky fought time travelling robots using body parts to fix their ship. While not from the SS Madame de Pompadour, they are from the sister ship SS Marie Antoinette. It's a nice tie in to a previous story.

Part of the story that doesn't really work for me is Clara at the beginning of the episode. In her recent adventures she has had to deal with the concept and actuality of Time Lord regeneration and yet she seems to not understand it now where the Doctor is concerned. The writers try to make this seem about her being in love with the 13th Doctor and wanting him back over an old man, but it doesn't come off that way to me at all. It takes a final moment of the episode to reconcile this which it does to an extent.

The adventure is a good one. It has adventure, action, excitement, humour and a slight bit of horror. It has some great dialogue too, from Clara's logic about torture to the final unanswered confrontation between the Doctor and the half-faced robot. Even the phone call from the 11th Doctor is a good emotional ride. Eventually it ends with a bizarre twist involving a mysterious woman named Missy in some sort of "afterlife". An interesting set up for later in the series.

A great start to the new series and a new Doctor.

Episode #247 : The Name of the Doctor

"You didn't listen, did you? You lot never do. That's the problem. The Doctor has a secret he will take to the grave. It is discovered. He wasn't talking about my secret. No, no, no, that's not what's been found. He was talking about my grave. Trenzalore is where I'm buried."

Episode #247:      The Name of the Doctor.
Companions:        The 11th Doctor and Clara Oswald.
Air Date:              18th May 2013.

A prophecy is coming true. The Eleventh Doctor is summoned to Trenzalore where it was said he would fall. But what does the alleged site of his final battle have to do with the mystery of Clara — or is it Oswin — Oswald? Can the Paternoster Gang help him avoid his apparent destiny? And most of all...Doctor who?

What a fantastic ending to this season of the show. We get a host of the Doctor's friends together, the return of the Great Intelligence, the final revelation of what and were Trenzalore is and at last the resolution to the impossible girl story line.

It is difficult to explain how good this story is because it isn't any one thing. It's the emotion, the perfectly written scenes and dialogue and the awe moments when everything starts to come together. I have said it before and I'm repeating it now, when Stephen Moffat really puts his mind to it we get some phenomenal episodes. The Name of the Doctor has it all whether you are a modern fan or a classic one. The brief flashes of the old incarnations really gives me the giddy feelings watching this one.

But who is the mysterious Doctor not spoken about? And what a coup getting esteemed (now late) actor John Hurt in for that role is just a masterstroke. That all gets explained soon enough as well. You have to remember that this was leading up to the 50th anniversary episode and we're in for a wild ride.

Anyway, getting away from the excitement, the final set up for the overarching plot this season brings us finally to Trenzalore. This planet was mentioned by the headless Dorium during his "doctor who?" prophecy at the end of A Good Man Goes to War. The Great Intelligence has planned all this to get his revenge on the Doctor for thwarting his schemes. His plan being to enter the Doctor's time stream and cause his adventures to fail although this will destroy him. Clara realizes that the "impossible girl" is her existing in all the Doctor's time lines helping him out and stopping the Great Intelligence. Quite clever really although it does in my mind cause a few little paradoxes not to mention that this future for the Doctor and Trenzalore will never come about.

The Name of the Doctor is a great ending to the story arc and is a nice stepping stone to what comes next.

Episode #245 : The Crimson Horror

"Them new manufacturers can do horrible things to a person. Horrible. I've pickled things in here that'd fair turn your hair snowy as top of Buckden Pike."

Episode #245:      The Crimson Horror.
Companions:        The 11th Doctor and Clara Oswald.
Air Date:              4th May 2013.

In 1893, the Eleventh Doctor's old friends, Vastra, Jenny Flint and Strax find an optogram of the Doctor on a victim of the mysterious "crimson horror". They head for Yorkshire, where Jenny infiltrates Mrs Winifred Gillyflower's community of Sweetville to find what has happened to him.

A good old Victorian gothic horror. The Paternosta Gang investigate a strange series of murders in Yorkshire which leave red-skinned bodies floating in the canal. The Doctor and Clara have got their first but both need rescuing before the villain of the piece can be stopped. It's nice to see the old Victorian gang getting some centre stage again but half way through it becomes the Doctor and Clara show once again.

For it's nice gothic storytelling it isn't a great episode mainly because it jumps around a bit in the middle explaining what happened to the Doctor and Clara before the episode even starts but also because once it does get going the ending feels all too rushed just to get to a rather unsatisfying climax. The Crimson Horror is one of those stories that if fleshed out a bit could have done better by being a two part story rather than being crammed into 45 minutes.

The actual villain of the story isn't very inspiring either being an old lady with a prehistoric leech stuck to her. Both are defeated way too easily and the story just ends. Even the leech, while creepy crawling across the floor, just seems a weak adversary.

There is a continuation to the Clara mystery but it doesn't go anywhere as the Doctor refuses to inform his Victorian friends about what is going on, leaving them just as much in the dark as the rest of us were at the time.

I really do like Clara has a companion. For a time I would have said that Amy Pond was my favourite modern companion but I have come to appreciate Clara more. She is a good strong female role model who knows her own mind and isn't just on screen to be a screamer. She is part of the story, leading from the front with the Doctor. That she isn't living on the TARDIS and has her own life away from time travel feels better than the later Pond stories where they lived at home. I think Clara has, at this point, become my favourite Doctor Who companion.

It is with her that the story ends on a lead in to the next adventure with the children she looks after finding some rather random photos online of Clara during her recent adventures. Some of them I'm not sure how they could have been taken but that doesn't spoil it.

Episode #239 : The Snowmen

"I said I'd feed you. I didn't say who to."

Episode #239:      The Angels Snowmen.
Companions:        The 11th Doctor.
Air Date:               25th December 2012.

After losing Amy Pond and Rory Williams, the Eleventh Doctor has retired to Victorian England, where Strax, Jenny Flint, and Vastra assist him. The Doctor eventually meets Clara Oswald, and takes a liking to the young barmaid who leads a double life as a governess. At the same time, a sinister plot is unfolding; snowmen are randomly appearing around London, growing in size and power. All they need to take over the world is some human DNA in ice crystal form, and the frozen body of a drowned governess can give them just that.

The 2012 Christmas special and while set at Christmas it isn't written around the holiday period specifically which for me is very nice. Using Victorian Christmas is a bit cliché but it works well for this story. Probably wouldn't work as well without it.

Once again we see a Clara look-a-like. How is this connected to Oswin from Asylum of the Daleks? Well, that is for the future and we'll get there soon enough. It was a very clever introduction and sets up our next companion and her story arc nicely.

As for the Doctor he has had time away following the loss of the Ponds. We have a change of outfit to something more Victorian/Edwardian and he's a bit depressive until a new adventure takes a hold of him. I rather like the new outfit style over the more modern one that he has had during his time with the Ponds.

Our villain is an old classic, The Great Intelligence, last seen during the days of the 2nd Doctor in 1968. It wasn't a great villain back then and it isn't very good now but as a classic era fan it is great to see another connection to the halcyon days of the show. It is rather different to that original form but the end of the episode gives us another connection and explains why the original Great Intelligence uses the London underground for it's schemes in those original stories.

The adventure itself isn't all that unfortunately. It is another very typical modern story that might have worked better had it been a multi-part adventure akin to the good old days. As it is, it feels to me as though too much is pushed together, it is rushed, and it doesn't have enough time in an hour to do it all justice. But it is an entertaining story and one which in hindsight sets up a lot of what is to come for the 11th Doctor.

Episode #226: A Good Man Goes to War

"This was exactly you. All this, all of it. You make them so afraid. When you began, all those years ago, sailing off to see the universe, did you ever think you'd become this? The man who can turn an army around at the mention of his name? Doctor: the word for healer and wise man throughout the universe. We get that word from you, you know. But if you carry on the way you are, what might that word come to mean? To the people of the Gamma Forests, the word "doctor" means "mighty warrior". How far you've come. And now they've taken a child. The child of your best friends. And they're going to turn her into a weapon, just to bring you down. And all this, my love... in fear of you."

Episode #226:      A Good Man Goes To War.
Companions:        The 11th Doctor, River Pond, Amy Pond, and Rory Williams.
Air Date:              4th June 2011.

On the asteroid Demon's Run, Amy Pond has given birth. But the villainous Madame Kovarian and the religious order of the silence are waiting to make a collection that tears Amy's world apart. Across the galaxy, the Eleventh Doctor and Rory Williams are assembling an army to fight the battle that lies ahead, whilst in Stormcage, River Song prepares to escape for what may be the last time. For this is the battle of Demon's Run. On this day, the Doctor will rise higher than ever and fall so much further, and finally, this is the day he discovers who River Song is.

Where do I start with this story? It is big. Each series of New Who has contained it's own plot line that builds and builds before reaching, hopefully, an awesome finale. A Good Man Goes to War is no different, other than it builds up to this mid-season break and ends on a real corker. A good few plot lines that have been building or hanging get resolved or at least opened up here. Mainly, who the mysterious eye patch lady is, who River Song is and who was the little girl from The Impossible Astronaut / Day of the Moon? Even now I get goose bumps when the revelations come up at the end of this story.

We are introduced to three new characters in this story who become recurring allies of the Doctor. Madame Vastra (a Silurian), her lover/servant Jenny and a Sontaran nurse named Strax. Although not called such on screen, they are known as the  Paternoster Gang (Paternoster Row being the street in Victorian London where they reside). These characters have quickly become fan favourites.

I won't spoil the plot here as I think this is a great episode to watch and learn rather than be told. However, watching it did reveal to me why I think certain stories in New Who work better than most. Part of it is the plot and the excitement they generate but more specifically I think it is the perfect dialogue. Some writers seem to just coast through it sometimes getting those moments of exposition just right, but then you get some who seem to strike the right cord. The quote above is one that gets me every time. We learn so much from that short speech and it opens up our understanding of our beloved Time Lord. River's speech above mirrors, for me, Davros' speech about the Doctor from The Stolen Earth / Journey's End. We all look to the Doctor as a hero or even anti-hero and we see what he does. We give him the big thumbs up but really throughout time and space he has become the cause of so much bloodshed and destruction in order to achieve the desirable outcome. Does the final outcome outweigh the deed that brings them about? For the Doctor we say yes but is that right? These sort of questions make for me the better episodes.

So why then is this a 4 star story not a 5? Well, I'm being resistant I think. The 11th Doctor's adventures, as I have said many many times, has a certain strange fairy tale quality that doesn't always sit well with me. A Good Man Goes to War has those elements and pushes my personal enjoyment down slightly. Had it not featured strange headless monks and space worthy spitfire planes, for example, I might have given it a 5 star rating.