Episode #265 : Under The Lake / Before The Flood

"Listen to me. We all have to face death eventually, be it ours or someone else's."

Episode #265:      Under The Lake / Before The Flood.

Companions:        The 12th Doctor and Clara Oswald.

Air Date:             3rd to 10th October 2015.

Arriving on an underwater base under attack, it's up to the Twelfth Doctor and Clara to save the frightened crew. But also onboard is an alien spaceship, and the base is being haunted by the most impossible of things. The Doctor's deepest beliefs are challenged when he encounters something he cannot explain. Can it really be possible? Can ghosts be real?

With this adventure we are back to having a cool new horror themed episode. I have said for a long time that although Doctor Who is a great science fiction show, it is the quality of it's horror stories specifically that really work for me. With Under The Lake we have a story of a crew of scientist types trapped by ghosts of their deceased co-workers. Stuck in the base with them, the Doctor and Clara must find out why the dead have risen, what they actually are and solve the problem without causing a paradox. 

This adventure is very well written and thought out. The writer, Toby Writhouse, did great here. There is a lot of information to relate to the viewer and he manages it perfectly without being boring or dragging it out. The suspenseful, dare I even say spooky, atmosphere is conveyed brilliantly as well.

The ultimate villain, the Fisher King, harkens back to the days of classic Who in my opinion. His look and scheme scream classic one off Doctor Who monster. Think of the Terrileptils for instance. They are monster suits that look the part of what we expect from the show's classic days. It gets a big thumbs up from me for this and shows that classic style stories and villainious types can have a part in the modern day of New Who.

Speaking of the classic days of Doctor Who, Under The Lake is the sort of story that would have worked great back then and could have done well as a four or five part serial. It is a shame that so much of New Who is one off stories with very few multi-part episodes. We get two parters and maybe three at most. I'd like a season to take the old format of four or five stories but with four of five parts again. I think it is all change because modern audiences don't have the staying power to watch something like that these days sadly.

Under The Lake is one of the great Capaldi episodes and I do recommend it as one to watch, if not as an introduction to new viewers. It doesn't bog you down with the background of the universe but does enthral the viewer and does a great job if introducing the characters. Well worth a watch.

Episode #255 : Listen

"What's that in the mirror? Or the corner of your eye?

What's that footstep following, but never passing by?

Perhaps they're all just waiting, perhaps when we're all dead,

Out they'll come a-slithering from underneath the bed."

Episode #255:      Listen.
Companions:        The 12th Doctor and Clara Oswald.


Air Date:              13th September 2014.

The Doctor has been pondering a question: have people ever been truly alone? Does something lurk unseen beside us all? With Clara at his side, the Time Lord will find himself delving into familiar pasts and eerie futures. Just where does the answer to the old man's unanswerable question lie? Will he find the answers he's been searching for, or will his quest cost him his life this time?

Listen is a bit of an unusual story as it isn't really an adventure in the traditional sense of the show. Despite first appearances there are no enemies or villains for the Doctor and Clara to defeat. Instead it is a mixture of showcasing Clara's growing relationship with Danny Pink and a strange jaunt through time with the Doctor having a rather overactive imagination one day.

It tries to be a horror story of sorts and although it doesn't actually play out that way, Listen is an amazingly well written and suspenseful episode. Definitely one of the best of recent years and of the 12th Doctor's era of the show. Very clever. However, even though I happily grant Listen a 5 star rating, it has it's issues. They just are not worthy enough to ruin the enjoyment of this episode. Primarily, as I say above, there is no real story to this episode. Our heroes bounce through time in search of whatever the Doctor thinks is lurking under the bed and it doesn't reveal anything other that a possible for future for the family of Clara and Danny. Also, we don't get any answers to anything put forward in this episode - what was at the door of Colonel Pink's time ship at the death of the universe? Who or what was under the bed sheet and what promoted this strange adventure in the first place? Listen is great but I prefer these sort of episodes to give us some sort of answers.

One very interesting scene in this episode was not expected at the time of viewing. The TARDIS takes the travellers back in time to Gallifrey to a certain barn we saw in The Day of the Doctor, which turns out to be the childhood home of the Doctor and we encounter him in his first incarnation as a small boy having nightmares about something under the bed. Clara has this nice little speech that I guess is meant to show her setting him up for his journeys and adventures. It doesn't add anything to the actual episode but it is a nice addition that fits in well with Clara being the Impossible Girl.

This is probably my favourite episode of the first 12th Doctor season. Well written, good dialogue and a perfect edge of your seat feeling that more episodes of Doctor Who should have.

Episode #243 : Hide

"In the seventeenth century, a local clergyman saw her. He wrote that her presence was accompanied by a dreadful knocking, as if the Devil himself demanded entry. During the war, American airmen stationed here left offerings of tinned Spam. The tins were found in 1965, bricked up in the servants' pantry, along with a number of handwritten notes. Appeals to the Ghast. For the love of God, stop screaming."

Episode #243:      Hide.
Companions:        The 11th Doctor and Clara Oswald.
Air Date:              20th April 2013.

Clara and the Eleventh Doctor arrive at the haunted Caliburn House, set alone on a desolate moor. Within its walls, a ghost-hunting professor and a gifted empathic psychic are searching for the Witch of the Well. Her apparition appears throughout the history of the building, but is she really a ghost? And what is chasing her?

Hide is one of my favourite episodes of the new show. We have some classic tropes expertly written and put together in a 40 minute slot. To start with we have a classic haunted house story that looks the part perfectly and reminds me a lot of the classic British ghost stories of the 1970's television. Add on to that time travel, a a multi-level love plot and some great thought provoking exposition from Clara.

I think what makes it work for me is the nostalgia element. As I mentioned above the haunted house elements remind a lot of the old television supernatural dramas of my childhood. That and the fact that I love a good ghost story. All the elements are there to give the story a suitably creepy feeling even before we get to see the "crooked man" Everything there to make this haunting work. fabulous work by the Doctor Who crew.

But Hide isn't just about a haunting. It's also a love story. That's the undercurrent of the whole thing. Whether we are talking about the two ghost hunters in the house or the "crooked people" separated in different worlds but longing to reunite. As a secondary story element it binds the whole story together and thankfully doesn't feel too contrived.

Clara's observations are also very well written and very much in keeping with the tone of the piece. Her view that we are all ghosts to the Doctor is quite apt. To him we haven't been born, are living and are already dead. We are ghosts. It is another great insight into the character of our hero. Such insights are rare-ish in the show now but when they come up I do tend to get goosebumps and that conversation certainly brings them up.

Lastly we get another take on there being something wrong about Clara as the TARDIS won't let her in without the Doctor. The TARDIS either doesn't trust her or senses that there is something wrong with her.

We get a reference back to the days of the 3rd Doctor with a crystal from Metabelis III although Matt Smith fails to pronounce it correctly ("Me-TEB-eh-lis" instead of "Met-a-BEE-lis").

I am giving this a rare 5 star rating. Hide lives up to the expectations and if there are any flaws in it - and I'm sure there are if you really want to go looking - they aren't immediately obvious. Hide is atmospheric and fun. Perfect Doctor Who viewing.

Episode #242 : Cold War

"It's an Ice Warrior! A native of the planet Mars. And we go way back. Way back."

Episode #242:      Cold War.
Companions:        The 11th Doctor and Clara Oswald.
Air Date:               13th April 2013.

In 1983, the tensest point of the Cold War, a Soviet submarine discovers a strange creature frozen in the ice of the Arctic. When one of the Firebird's crew breaks it free, it starts attacking. As the crew strikes back, the Eleventh Doctor warns them that the attack could be considered a declaration of war on the entire Ice Warrior race.

I'm a fan of bringing back the classic monsters to new Who and at long last we have a return of the Ice Warriors, and about time. Not only do we get a return of these Martian aliens but the episode expands upon them and gives us much more information than the classic third Doctor episodes ever did. Just a shame that the look of the actual Ice Warrior, Skaldak, has to be CGI rather than a man in a rubber mask but I can accept that given we have decent special effects these days to do it.

Having the story set during the Cold War and on a submarine brings back happy memories of a childhood favourite, Warriors of the Deep, which for all intents and purposes tells a very similar story to this just with Silurians and Sea Devils instead.

Cold War seems a story very much built around showcasing Clara over the Doctor. Our main hero is his usual top form but Clara gets most of the on screen fun, having to interact with Skaldak and running about the corridors of the Submarine. With other companions I might have grumbled a bit about that but Clara grows on you very quickly and I at least don't mind an episode where she gets most of the limelight.

As episodes go this is quite fun. It doesn't try too hard and it doesn't go the silly route, and unlike many of the modern adventures I can quite easily imagine any of the classic Doctors playing this adventure very well.

Episode #238 : The Angels Take Manhattan

"You are creating fixed time. I will never be able to see you again!"

Episode #238:      The Angels Take Manhattan.
Companions:        The 11th Doctor, Amy Pond, Rory Williams and River Song.
Air Date:               29th September 2012.

A simple trip to New York in 2012 goes horribly wrong when the Eleventh Doctor's companion, Rory Williams, is sent back to the 1930s by the Weeping Angels. There, he finds that his daughter, River Song, is investigating the Angels, as Manhattan has become their hunting grounds. The Doctor and Amy Pond must find Rory before it is too late, but they soon find that not every point in time can be changed. And here, the Doctor must face the one thing he has been dreading — a final farewell to the Ponds.

After a nice run on the show we finally say goodbye to Amy and Rory. Amy grew on me immediately but it took the better part of two seasons before I came to like the character of Rory. Sometimes you click with a companion and sometimes you don't. Either way it was a shame to see them go and that final moment has some nice emotionally charged scenes that almost bring a tear to the eye.

The story itself is fairly ludicrous and has some fairly obvious plot holes. The Angels are on Earth feeding on the energy of people they send back in time. This bunch of angels are sending them to an old apartment building forcing them to remain trapped within for the rest of their lives. How do these people eat then or get repairs done, if they can't leave? The building itself is said to be part of the trap but I don't see how. We also have the paradox that destroys the building and resets everything. It takes the Ponds throwing themselves to their doom but no one in the history of the building tried to do something similar just to escape a life trapped in the tower? I am sure that I am reading too much into it but if I can see these issues then I'm fairly certain the writers did.

There is one other annoying issue to this episode that I simply hate. The Statue of Liberty is a gigantic weeping angel? One that walks but is observed constantly by locals and tourists a like? Nice idea but doesn't hold up under logic.

The Angels Take Manhattan despite it's obvious plot holes and failings is still a better Angels story than we've had since their original appearance. This time at least we get that creepy feeling again that served so well but has been lacking in other stories.

All in all I consider this one to be one of the more typical of modern Who episodes and it should be viewed in that light.

Episode #233: The Doctor, The Widow and the Wardrobe

Madge: Are you the new caretaker?
The Doctor: Usually called "The Doctor." Or "The Caretaker." Or "Get off this planet." Though, strictly speaking, that probably isn't a name.

Episode #233:      The Doctor, the Widow and the Wardrobe.
Companions:        The 11th Doctor.
Air Date:               25th December 2011.

Christmas Eve, 1938. Madge Arwell comes to the aid of an injured Spaceman Angel, the Eleventh Doctor, who promises to repay her kindness – all she has to do is make a wish. Three years later, Madge escapes war-torn London with her two children for a dilapidated house in Dorset. Crippled with grief at the news her husband has been lost over the English Channel, she wishes to give her children the best Christmas ever. The Arwells are greeted by the Doctor, who acts as their madcap caretaker. However, a mysterious Christmas gift from him leads them into a wintry, magical world. Madge must learn how to be braver than she ever thought possible... and that wishes can come true.

Another Christmas special and a better one than recent years. Although set at Christmas the season of good will is not the centre piece of the story which immediately boosts it for me. But saying that the episode features a nice amount of Christmas spirit which does raise a little smile even now watching well past Christmas itself.

The episode itself does not tie into any of the continuing plots and is nicely self contained. The only reference to the previous show is the future setting of Androzani Major. The foresters are from that system but it isn't clear whether the story takes place there or not. If it does, it doesn't resemble anything from 5th Doctor story The Caves of Androzani.

Like previous Christmas stories, this one seems based on a piece of literary work. In this case, as I am sure you can tell by the name, it is The Lion, The Witch, and the Wardrobe. Thankfully there isn't too much of a correlation between the two. Other than a play on the name, it is only the strange "magical" box which takes them from the old country manor in 1938 to an alien forested winter planet in the distant future.

While the build up is slow and there isn't an actual villain to the story, what I enjoy most about this is the emotional aspect that builds up in the second half. First off by building on the love of a mother for her children, and then the revelation of her husbands death and finally the union of the family on Christmas morning... even I had a lump in my throat watching it. Whether I had that the first couple times I watched this I don't recall but it hit me this time.

The Doctor, The Widow and the Wardrobe is a good story but it does suffer from both slow pacing and a lack of any real story. It just starts, flows along and then ends. Not to mention, once again, that is a little too fairytale for me. I suppose that is fine from the point of view of a basic Christmas episode for the family but it isn't what I would like to see from a special episode like this. Still, enjoyable.

Episode #227 : Let's Kill Hitler

"Well, I was on my way to this gay gypsy Bar Mitzvah for the disabled when I suddenly thought, "Gosh, the Third Reich's a bit rubbish. I think I'll kill the Führer." Who's with me?"

Episode #227:      Let's Kill Hitler.
Companions:        The 11th Doctor, River Song, Amy Pond, and Rory Williams.
Air Date:              27th August 2011.

In the desperate search for Melody Pond, the TARDIS crash lands in Thirties Berlin. The Doctor comes face to face with the greatest war criminal in the Universe. And Hitler. Old friendships are tested to their limits as the Doctor suffers the ultimate betrayal and learns a harsh lesson in the cruelest warfare of all. As precious time ebbs away, the Doctor must teach his adversaries that time travel has responsibilities. And he must succeed before an almighty price is paid.

After a short hiatus the show comes back with a bit of a corker. In this story the Doctor meets Amy's childhood friend Melody who turns out to be a bit of a bad egg. She hijacks the TARDIS and takes them back to kill Hitler. Melody turns out to be a previous incarnation of River Song, one brainwashed to assassinate the Doctor by the Silence. It isn't a particularly serious episode being very much comedic although it does explain a lot of what happened in the previous half of the season.

Outside of the comedy elements, the point of this story really is to explain the back story to the current series from who River Song is and why she is prison, who are the Silence, to the death of the Doctor in the first episode of the season. It's a clever twist and not one that I would have thought of previously. I really enjoy the back story to River Song in this episode. From killer to the Doctor's future lover in one short story.

The episode title is a bit of a ruse really. Hitler only features in about five minutes and spends the rest of it locked in a cupboard.

I won't spoil anything, so it's going to be a short review really, but this story is well worth watching although it probably won't make much sense if you haven't seen the previous episodes/

Episode #222: The Impossible Astronaut / Day of the Moon

"Safe? No! Of course you're not safe! There's about a billion other things out there just waiting to burn your whole world, but if you want to pretend you're safe just so you can sleep at night, then, OK, you're safe. But you're not really."

Episode #222:      The Impossible Astronaut / Day of the Moon.
Companions:        The 11th Doctor, River Song, Amy Pond and Rory Williams.
Air Date:              23rd to 30th April 2011.

Amy Pond, Rory Williams, River Song and the Eleventh Doctor receive a mysterious summons that takes them on an adventure to 21st century Utah and Florida in 1969. Along the way they meet Richard Nixon, president of the United States of America, and former FBI agent Canton Everett Delaware III.

With this story the newest series kicks off with an excellent adventure. It begins the adventures that deal with the mysterious "Silence". These were first referenced in the 11th Doctor's first adventure, The Eleventh Hour, with the phrase "Silence will fall". These aliens resemble tall, thing creatures reminiscent of Grey aliens from UFO lore. At this time we don't learn a lot about them other than they seem to be everywhere in 1969 Earth and that no one can remember them unless they are looking directly at them.

We are also introduced abut very briefly to the mysterious eye patch lady who plays a bigger part at the end of the series. Her appearance her opens up some intriguing questions (assuming you haven't seen the later episodes).

Another reference we have goes back to the previous season with an episode called The Lodger. the mysterious time ship on the roof either reappears or there is at least another one. A nice tie in to connect the series.

There is a lot of strange cross time line elements to this story, mainly dealing with the Doctor and his companions trying to stop his death sometime in 2011 at the hands of a mysterious astronaut who is also present in 1969. It works in this story as the writers have taken the opportunity to make sure everything fits together. As a future element we also learn that Amy is pregnant.

I really enjoy this one because other the very beginning it keeps a steady pace of action and adventure going all the way to the end. It also has a nice science fiction horror vibe that works spot on. A sort of alien psychological horror I would call it.

The final culmination to the story is really rather inspired and, at least in myself, generated a very exciting sensation. In some elements this adventure could be better but I have no real grumbles about it. Very well done.

SJA #23 : Lost in Time

"The tapestry of time is a fragile thing. Apply the slightest pressure, and the threads of history can unravel. But you understand that, don't you, Sarah Jane?"

Episode #23:        Lost in Time.
Companions:        Sarah Jane Smith, Rani Chandra and Clyde Langer.
Air Date:              8th to 9th November 2010.

A harmless investigation turns into an epic quest across time and space. Sarah Jane and the gang are separated by the enigmatic Shopkeeper to find themselves in three different time-zones throughout history – doing battle against ghost hunters, Nazis, Tudors and a mysterious parrot called Captain!

Along comes another Sarah Jane Adventures episode that I thoroughly enjoyed. Recruited my a mysterious shopkeeper and his parent, the adventurers are split up and sent into different time zones to recover pieces of a temporal artifact, the chronosteel. Clyde arrives during the second world war, and helps thwart a Nazi invasion. Rani finds herself in service to Lady Jane Gray in her last hours and Sarah Jane helps a 19th century ghost hunter save the lives of two children in the 21st century.

I like this story because it brings home the time traveling historical stories of the early days of Doctor Who. Although I wasn't a fan of them the modern stories can be done so much better even in just a brief hours worth of television. In particular the life and death of Lady Jane Gray, an historical figure I had never heard of prior to watching this episode when televised. Having watched it, I was moved to read up on the actual events.

As for the mysterious shopkeeper we never learn who he or his parrot companion are but according to The Brilliant Book 2012, and a blog post from Neil Gaiman, Gaiman and Russell T Davies were both of the personal opinion that the Shopkeeper was in fact the Corsair, a swashbuckling Time Lord friend of the Doctor's mentioned in the television story The Doctor's Wife.

I do like this particular adventure a lot and it shows what the show could do when the writers put their minds to it. More like this would have been preferable to the overly basic children's stories.

Episode #219 : The Pandorica Opens / The Big Bang

"The universe is big, it's vast and complicated, and ridiculous. And sometimes, very rarely, impossible things just happen and we call them miracles. And that's the theory. Nine hundred years, never seen one yet, but this would do me."

Episode #219:      The Pandorica Opens / The Big Bang.
Companions:        The 11th Doctor, Amy Pond and Rory Williams.
Air Date:              19th to 26th June 2010.

A Van Gogh painting ferried across thousands of years offering a terrifying prophecy, a message on the oldest cliff-face in the universe and a love that lasts a thousand years: in 102 AD England, Romans receive a surprise visit from Cleopatra. Nearby, Stonehenge hides a legendary prison-box. As it slowly unlocks from the inside, terrible forces gather in the heavens. The fates are closing around the TARDIS. The Pandorica, which contains the most dangerous threat in the Universe, is opening. Only one thing is certain: "The Pandorica will open... Silence will fall".

The season ends with a fantastic culmination. We learn that everything we have experienced since the start of this season has been orchestrated by an alien coalition who fear the Doctor and blame him for the destruction of the universe. The full explanation won't become apparent for some time though. This two parter is a complete edge of your seat type entertainment with surprises and enough cool moments to be hugely memorable.

We have the unexpected return of Rory William although at this stage as a plastic Auton facsimile of a Roman soldier. He somehow manages to retain his personality even as the other Auton's revert to their "evil" selves. Rory always struck me as a bit of an odd character but has grown on me as his time on the show went along. Strange how that happens.

The first half of the story focuses on the Doctor's discovery and investigation of Stonehenge and the Pandorica. Once entrapped and the universe changes we have our companions struggling in a shrinking universe to reset things, hence the title The Big Bang. Now is this new big bang the thing that alters history to erase events such as the giant Cyber King?

The end of the adventure is rather cool as well. The Doctor slides back along his own timeline through his adventures with Amy before he ceases to exist, and we see certain scenes from previous stories this season which now make more sense. A well written and ingenuous plot element. The final scene of Amy and Rory's wedding where Amy restores the Doctor's existence sends a chill up my spin.

All in all a fantastic piece of Doctor Who in the modern era.

Episode #212 : Victory of the Daleks

"YOU! ARE! MY! ENEMY! And I am yours! You are everything I despise. The worst thing in all creation. I've defeated you. Time and time again, I've defeated you. I sent you back into the Void. I saved the whole of reality from you. I AM THE DOCTOR AND YOU ARE THE DALEKS!"

Episode #212:      Victory of the Daleks.
Companions:        The 11th Doctor and Amy Pond.
Air Date:              17th April 2010.

Receiving a call for help from his old friend Winston Churchill, the Eleventh Doctor and Amy Pond head for World War II to assist the Prime Minister. Once there, though, the Doctor reunites with his greatest enemies, the scum of the universe — the Daleks. But why are these survivors passing themselves off as man-made weapons? And why don't they recognise the Doctor? What could these "Ironsides" have planned?

Victory of the Daleks is a pseudo-historical story with a science fiction twist. It doesn't use the second world war to teach like the old historical adventures but more as just a setting, in which to tell this story. Into it we find the Daleks working for the British armed forces to take down incoming German aircraft. The Doctor recognises them for what they are this triggers the actual story, that the Daleks are seeking to rebuild their forces and their creation needs proof that they are pure Daleks. The name of the episode is very apt as in this story the evil Daleks do indeed win. Yay!

Despite some rather witty dialogue this episode unfortunately is really just another filler. The entire point of this episode is simply to set up the return of the Daleks later on. I really hate it when shows do that as it feels like a waste of an episode. I like plot stories but I like them to be mostly self contained and workable.

I hate to be negative yet again, but there is one thing in this adventure which really irks me. The Daleks' plans are slightly defeated by space flying Spitfire aircraft. It just bugs me as once again we have an element of silly. It's meant to be a good sci-fi story and then they through that in there.

Episode #210 : The Eleventh Hour

"I'm the Doctor; I'm worse than everybody's aunt!"

Episode #210:      The Eleventh Hour.
Companions:        The 11th Doctor and Amy Pond.
Air Date:              3rd April 2010.

After a literally explosive regeneration, the brand new Eleventh Doctor survives a crash-landing to Earth. However, he has little time to recover. With a mysterious crack in a little girl's wall and a missing alien prisoner, the Doctor is in for an adventure. However, with the TARDIS damaged and the sonic screwdriver destroyed, can the Doctor capture the rogue alien before its jailers burn Earth to a crisp?

It's all change as Matt Smith takes over the role of the Doctor. There's more humour and a rather strange surreal tone to the show now. In later episodes the show feels less science fiction and more science fairy-tale. But it is certainly in keeping with the new Doctor. When Matt Smith was first announced as the Doctor I was not convinced. He looked too young to be the Doctor and I doubted that he would have the force of personality. Within minutes of his appearance I was convinced that he was the right choice. Of the newer actors, Matt Smith has become my favourite.

The Eleventh Hour is a great start to the new series. The Doctor's new persona is just fun and immediately you like him. He is a proper eccentric personality again and much more in the style of the classic Doctors. We are also introduced to the newest companion, Amy Pond. She is another feisty female companion and one who stands up to the Doctor. She's not a screamer. We also meet her boyfriend Rory, a bit of a wet fish really but he'll have a part to play later on.

The main point of this story is not the escaped Prisoner Zero or the alien Atraxi. At the start young Amy Pond shows the Doctor a strange crack in her wall which is revealed to be a crack in the fabric of the universe. This is the main plot point for the season and for the run of the 11th Doctor.

For an episode that is there just to set up the new Doctor and his companions, this is a really good fun story. The humour is actually just right and while I sometimes grumble at the fairy tale nature of some of the future stories, this one gets a good thumbs up from me.

Episode #208 : Dreamland

"Ha, I love 1958. No one's seen Die Hard. Or Alien. Nor Die Hard 2. Or Aliens. Or Die Hard 3."

Episode #208:      Dreamland.
Companions:        The 10th Doctor.
Air Date:              21st to 27th November 2009.

During a visit to a local diner, the Tenth Doctor stumbles upon a mysterious alien artefact that leads him on a mission to rescue Rivesh Mantilax from the threat of the Viperox and the clutches of the American military.

Dreamland is the second animated feature for Doctor Who, the other being the Infinite Quest. In this adventure the Doctor lands in Roswell New Mexico a short time after a certain UFO crashed in the desert. Drawn into the mystery the Doctor discovers captured alien Grey's, mysterious Men in Black, and a whole race of war-like insectoid aliens waiting to conquer the Earth.

Basically Dreamland is the Whoniverse explanation for the events surrounding the Roswell crash of 1947. I've often wondered what those events might have been like in Doctor Who and it seems someone had the same idea. I like that the Gray aliens, despite the ominous way the media treats their "appearances" in the real world, are shown to be a friendly species in the Whoniverse. Off course the mysterious Men in Black and the alien Viperox are easily recognizable as the villains, in typical science fiction fashion. In other words, they don't look like the good guys.

As Dreamland is basically a children's animated episode it is lacking in general plot. It flows nicely along with enough cool moments to keep the kids happy. For the adult viewers there are a few moments. The quote above is in reference to air ducts running throughout the US army base. Also, the monstrous Viperox queen looks an awful lot like the queen from the Alien movies, complete with nest of alien eggs. Intentional? Who knows but it gave me a chuckle.

Dreamland isn't considered part of the overall canon of the show though much like The Infinite Quest I choose to include it as it is a televised adventure and fits in nicely as an escape for the Doctor before everything goes pear shaped for him in the next story.

SJA #11 : The Temptation of Sarah Jane Smith

"Luke, I have saved the lives of so many people, people I didn't even know, I don't know – miners on Peladon, all the people drinking BubbleShock, without a second thought, but this is my mum and dad!"

Episode #11:        The Temptation of Sarah Jane Smith.
Companions:        Sarah Jane Smith, Luke Smith, Rani Chandra and Clyde Langer.
Air Date:              17th to 24th November 2008.

When Sarah Jane returns a boy who has slipped through a time fissure to 1951, she realises she has found a way to meet the parents she never knew. Is it a trap? Sarah Jane and Luke fall victim to a revenge plot by the Trickster.

The Sarah Jane Adventures finally gets a time travel story and long overdue too it is. The story continues with the references to Sarah Jane's parents and this time the Trickster draws her back in time with the temptation of meeting, or rather saving her parents. By preventing their deaths Sarah Jane causes the downfall and eventual enslavement of humanity by the Trickster.

Elements of the story are very similar to the Doctor Who story "Father's Day". Both stories deal with wanting to go back in time to see a deceased parent only for the companion to mess it up and cause some pretty terrible damage to the time line which only the death of the parent can fix. This adventure is different enough though for it to be a good story in it's own right.

This is an entertaining story that uses the expected tropes for the subject matter. I think it rather good though it could always have been better. The only real disappointment for me is the Trickster himself. He doesn't get enough screen time and he's the sort of SJA villain that I want to see more of.

Episode #200 : The Unicorn and the Wasp

Donna: It's a murder, a mystery and Agatha Christie!
The Doctor: So? Happens to me all the time.
Donna: I know but isn't that a bit weird? Agatha Christie didn't walk around surrounded by murders, not really. That's like meeting Charles Dickens surrounded by ghosts at Christmas!

Episode #200:         The Unicorn and the Wasp.
Companions:           10th Doctor and Donna Noble.
Air Date:                 17th May 2008.

In 1926, Agatha Christie mysteriously disappears, only to be found ten days later at Harrogate Hotel with no memory of what happened to her. What could have been the cause? Was it a nervous breakdown? Was it a cry for help? Or did it involve a giant alien wasp and a mysterious stranger known only as the Doctor?

This is how you do a proper historical story in Doctor Who. Take an actual real world mystery, a famous celebrity (of their day) and add a nice but not over the top science fiction spin. Making it appear like a typical Agatha Christie style mystery is just the icing on the cake. This is exactly what we have here. The show has needed a proper investigative mystery for a long time and The Unicorn and the Wasp comes in almost perfectly. The only thing that lets it down is some of the typical silly elements common to the David Tennant era but it is so infrequent here that it is easy to let it slide.

The episode plays on all the typical references we expect from a 1920's murder mystery set in the English countryside. Twenty three of Agatha Christie's novels or short stories are referenced throughout the episode. I didn't spot all of them at the time and had to look them up afterwards. In that sense the episode is much like The Shakespeare Code which also has many references to the works of the titular character.

There is very little to let this episode down, and yes I know I am focusing on the negative here but it is difficult for me to do otherwise here. We have some silly elements such as a the Doctor performing charades to give clues to Donna after he has been poisoned and seeking a cure. I'm also not a fan of the effects used to generate the insectoid villain of the story. Having seen in Doctor Who and other programmes just how good the BBC has gotten at it's computer effects it could have looked and moved a lot better. Nit picking, I agree, but it does for me affect the rating that I have given it though not by much. The Unicorn and the Wasp is no where near being a 5* adventure. It is however, certainly one that I recommend.

TW #25 : Fragments / Exit Wounds

"Here's what's going to happen: everything you love, everything you treasure, will die. I'm gonna tear your world apart, Captain Jack Harkness, piece by piece. Starting now".

Episode 25 :            Fragments / Exit Wounds.
Companions:           Jack Harkness, Gwen Cooper, Toshiko Sato, Owen Harper, and Ianto Jones.
Air Date:                 21st March to 4th April 2008.

Captain John Hart returns to have his revenge on Torchwood and takes Jack prisoner. Jack and his long lost brother Gray don't have a good reunion. Can the rest of the team trust John?

Although Fragments is a sort of flashback episode it is also technically the first of a two part climax to the second season of Torchwood and so I am including both episodes under one heading. Fragments sets up John Hart luring the team to a location with the intent on killing the Torchwood team. Instead everyone survives but we have flashbacks to how the various team members were recruited by Jack Harkness.

Jack starts off in the late 19th century being discovered by a pair of Torchwood agents who being unable to kill him instead bring him into the organisation with the intent of using his skills to hunt down aliens and other strangeness. It follows him through to new years eve 1999 (when the 8th Doctor is saving the world in San Francisco) where the Cardiff team and killed by their leader as he feels nothing can save the Earth. This one is quite interesting not so much for Jack but more for showing us that early Torchwood is quite a nasty organisation and how the character changes from when he is abandoned on the Games Station until we see him again in the 20th century.

Toshiko's flashback reveals that she is a bit of tech genius and the things she had to do before UNIT arrested her and Jack recruited her. In Exit Wounds we also get a confirmation that it was Toshiko who the 9th Doctor spoke with during the events of Aliens of London/World War Three. Ianto is shown trying to get into the group following the fall of Torchwood at Canary Wharf and helping Jack capture the pterodactyl we saw briefly in the first season. Owen loses a fiance to some brain parasite that Torchwood couldn't help with. The reaction goes a long way to see why he is the way he is. Normally this sort of episode would be quite dull for me but seeing how these characters came together is actually worth an episode devoted to it.

When we get to the finale episode we learn that John Hart is being forced to do what is doing by Jack's brother Gray who for reasons I don't fully get wants to kill his brother. Now, I can understand that being tortured and left for dead by some unspeakably evil race can drive you a bit crazy but it doesn't feel fleshed out enough in this story for why Gray has such a hatred for Jack. I'd have liked a little bit more if I am honest. Eventually Gray is stopped and captured, being placed in cryogenic storage by Jack.

It was good to see John Hart again but once more I feel that he was underused having only appeared in effectively two and a tiny bit episodes. We needed some more time with the character then but I doubt we will see him make a return either.

In Exit Wounds it would appear that John Hurt, possibly through Gray, has the means to summon and repel the Weevils making me wonder whether their presence in Cardiff is the result of Jack's brother. Again, I'd like to have seen something more made of that.

Lastly this episode sees the deaths of two regular characters: Toshiko and Owen. Toshiko is shot by Gray and Owen is incinerated by a nuclear power surge. They get some good screen time in their last moments, which certainly brought a tear or two to my eyes, where Toshiko basically admits that she was in love with Owen. It is a sad ending but done very well.

TW #23: From Out of the Rain

Christina: Your eyes are older than your face.

Jack: Is that a bad thing?

Christina: Yes. It means you don't belong. It means you're from nowhere.

Episode 23 :            From Out of the Rain.
Companions:           Jack Harkness, Qwen Cooper, Toshiko Sato, Owen Harper, and Ianto Jones.
Air Date:                 12th March 2008.

When an old cinema re-opens, past horrors emerge to stalk the streets of Cardiff. As bodies are found with heartbeats but no breath, Torchwood must act fast. Who are the Night Travellers?  How can Torchwood catch these mysterious breath takers?

Members of an old travelling circus from the early 20th century manage to escape from an old black and white film. They then begin to harvest breath from anyone they meet and seek to free the rest of their troupe from the film. Jack reveals that he was once tasked to investigate them during the 1920's.

This is a really great horror story with just the right touch of freakishness to make it work. Old style circuses seem bizarre and surreal to me anyway. Taking characters out of that time and giving them a "something wicked this way comes" vibe in the modern world is played nicely here. It makes me wonder how this would have worked as a Doctor Who adventure.

What I also like about this story is that unlike most monsters in the Whoniverse, you get a sense of pity for the Ghostmaker and Pearl . They may be insane and twisted creatures but they aren't being evil for the sake of it. They want to survive away from the film strips and exist in the real world before everything becomes digital and they will never escape again.

Julian Bleach, who plays the lead villain - the Ghostmaker, would again appear in the Sarah Jane Adventures and would also go on to play Davros in the upcoming Doctor Who season.

From Out of the Rain is one of my favourite Torchwood episodes and I recommend this as one to watch.

TW #16 : To The Last Man

Jack: [draws a line on a piece of paper] Linear time. [balls the piece of paper up] Screwed up time. Imagine your life is a straight line, from birth to death. Now, try drawing that line on the paper without flattening it out.

Gwen: It's impossible.

Jack: That's why we gotta stop it.

Episode 16:     To The Last Man.
Companions:   Jack Harkness, Gwen Cooper, Toshiko Sato, Owen Harper and Ianto Jones.
Air Date:         23rd January 2008. 

Once a year, for a single day, Tommy Brockless is defrosted in the Torchwood hub to make sure he's still working. He is kept alive until the day he is needed, when ghosts appear at a hospital and it is clear that the time has come.

Much like Greeks Bearing Gifts in season one, To The Last Man focuses on Toshiko above all other regular characters. She has fallen in love with Tommy Brockless, a soldier from the first world war but must deal with the fact that he must return to the past and die so that the present and the future can be saved. As a science fiction troupe it is nothing new but the episode is well written and perfectly acted out to carry the emotional resonance that it needs. The only issue with this particular story is that it doesn't explain the how and why of Tommy's initial crossing over which makes the loop a paradox. But hey, this the Whoniverse and such events seem to be common place.

The ghosts that are sighted are phantom images of the nurses and patients at the soldier's hospital in 1918 where Tommy was taken from by early Torchwood team members. There is some interaction but I really felt that the "ghostly" encounters could have carried a more frightening countenance than what they did. Although it is a love story for the most part, a hint of the horror of the Great War via the "ghosts" would have improved the story immensely much like they did in Ghost Machine.

To The Last Man is one of the more interesting episodes of this season and worth a watch.

Episode #190 : Blink

"People assume that time is a strict progression of cause to effect, but, actually, from a non-linear, non-subjective viewpoint, it's more like a big ball of wibbly-wobbly... timey-wimey... stuff."

Episode #190:   Blink.
Companions:    The 10th Doctor and Martha Jones.
Air Date:          9th June 2007.

In an abandoned house, the Weeping Angels wait. The only hope to stop them is a young woman named Sally Sparrow and her friend Larry Nightingale. The only catch: The Weeping Angels can move in the blink of an eye. To defeat the ruthless enemy — with only a half of a conversation from the Tenth Doctor as help — the one rule is this: don't turn your back, don't look away and don't blink!

Blink is in my opinion one of the best adventures in Doctor Who. Just as with The Empty Child, this episode shows just how well Doctor Who can be when the writers come up with a proper freaky story and with the creation of the Weeping Angels we have that perfectly here. It is also story that barely features our time travellers, instead we see the events unfold from the point of another character, Sally Sparrow.

The new villains are the Weeping Angels. They are ancient creatures who exist in a sort of quantum state where they become stone statues when observed by another living thing. Although for some reason this also applies to their own kind. The Doctor sees this as the perfect defense mechanism but they could still be smashed by a mallet surely? But we won't dwell on that. In Blink these creatures are at their best. They do make occasional reappearances in the show but never portrayed as well as they are in this story.

It is interesting to see that Blink has quite a hefty paradox. These are bad and we have seen creatures like the Reapers turn up when such events take place. So why don't they here? The paradox in Blink is a circular one with no beginning or end. Sally gives the Doctor the information she has at the end of the story but Sally gets that information from seeing the wall the Doctor wrote, watching the DVD the Doctor made and so on. The information never really "starts" anywhere — the Doctor knows what to say in the conversation because he's reading Larry's transcript, which Larry made thirty-eight years later by watching the conversation. The information is in an endless loop.

Blink is truly one of the best episodes of modern Who and if for some reason you haven't seen it, go do so. You won't be disappointed.

Episode #189 - Human Nature / The Family of Blood

"He's like fire and ice and rage. He's like the night, and the storm in the heart of the sun. He's ancient and forever. He burns at the centre of time, and he can see the turn of the universe. And... he's wonderful."

Episode #189:   Human Nature / The Family of Blood.
Companions:    The 10th Doctor and Martha Jones.
Air Date:          26th May to 2nd June 2007.


England 1913, school teacher John Smith experiences amazing dreams of living an incredible life as a mysterious adventurer called "the Doctor", fighting monsters and seeing far away worlds. Is this man just a look-a-like of the real Doctor with a psychic link, or could there be another answer for all this?

This adventure starts with the time travellers being chased through time by some unknown opponents and they scare the Doctor so much that he is prepared to become human to escape them. He uses some previously unknown bit of Time Lord technology called a Chameleon Arch to become human but it creates a new persona, memories and I guess, alters history a little to let him fit in. The Doctor becomes a school teacher and Martha is a a scullery maid. Everything is fine until those pesky aliens show up and start to ruin everything.

At first glance it seems like an interesting story, and not surprisingly as this is based upon a 7th Doctor novel that came out in the mid 1990s. The drama between the Doctor and his new love, the snooty rich boys and Martha being stuck in the middle is all rather good. For me the story goes down hill because of the aliens, the Family of Blood. We are told nothing of them other than they have extremely short life spans and want the Doctors life energy to extend their own. The acting for them is just a little too over the top for me though and it spoils my enjoyment.

Where this story really earns its stripes however is in both the conflict between "John Smith" and Martha as she tries to convince him to "die" and return to being the Doctor, and the lead up to the Great War in which these young men will fight and die. The final scene of the episode still brings a tear to me whenever I watch it.

Human Nature and The Family of Blood is one of those modern Doctor Who stories where the writing and the drama are both spot on and enjoyable but something silly or OTT spoils it a little too much. Especially as this story is really just here to introduce the idea of the Chameleon Arch for later on in the series.