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Wednesday, 6 January 2021

Episode #265 : Under The Lake / Before The Flood


"Listen to me. We all have to face death eventually, be it ours or someone else's."

Episode #265:      Under The Lake / Before The Flood.
Companions:        The 12th Doctor and Clara Oswald.

Air Date:             3rd to 10th October 2015.

Arriving on an underwater base under attack, it's up to the Twelfth Doctor and Clara to save the frightened crew. But also onboard is an alien spaceship, and the base is being haunted by the most impossible of things. The Doctor's deepest beliefs are challenged when he encounters something he cannot explain. Can it really be possible? Can ghosts be real?

With this adventure we are back to having a cool new horror themed episode. I have said for a long time that although Doctor Who is a great science fiction show, it is the quality of it's horror stories specifically that really work for me. With Under The Lake we have a story of a crew of scientist types trapped by ghosts of their deceased co-workers. Stuck in the base with them, the Doctor and Clara must find out why the dead have risen, what they actually are and solve the problem without causing a paradox. 

This adventure is very well written and thought out. The writer, Toby Writhouse, did great here. There is a lot of information to relate to the viewer and he manages it perfectly without being boring or dragging it out. The suspenseful, dare I even say spooky, atmosphere is conveyed brilliantly as well.

The ultimate villain, the Fisher King, harkens back to the days of classic Who in my opinion. His look and scheme scream classic one off Doctor Who monster. Think of the Terrileptils for instance. They are monster suits that look the part of what we expect from the show's classic days. It gets a big thumbs up from me for this and shows that classic style stories and villainious types can have a part in the modern day of New Who.

Speaking of the classic days of Doctor Who, Under The Lake is the sort of story that would have worked great back then and could have done well as a four or five part serial. It is a shame that so much of New Who is one off stories with very few multi-part episodes. We get two parters and maybe three at most. I'd like a season to take the old format of four or five stories but with four of five parts again. I think it is all change because modern audiences don't have the staying power to watch something like that these days sadly.

Under The Lake is one of the great Capaldi episodes and I do recommend it as one to watch, if not as an introduction to new viewers. It doesn't bog you down with the background of the universe but does enthral the viewer and does a great job if introducing the characters. Well worth a watch.

Episode #264: The Magician's Apprentice / The Witch's Familiar

 


"There's no such thing as the Doctor. I’m just a bloke in a box telling stories. I didn’t come here because I'm ashamed. A bit of shame never hurt anyone. I came… because you're sick and you asked. And because sometimes, on a good day, if I try very hard… I’m not some old Time Lord who ran away. I'm the Doctor."


Episode #264:      The Magician's Apprentice / The Witch's Familiar.

Companions:        The 12th Doctor and Clara Oswald.

Air Date:              19th to 26th September 2015.


The serpentine Colony Sarff has searched the entire universe for the Doctor, to give him the final message of Davros; however, the Time Lord is nowhere to be found. This is quite serious, as not even the Doctor's closest frenemy, Missy, is able to find him. Adding onto this is the fact she was given his Confession dial, which in human terms is the last will and testament of the Doctor.

This is an awkward story. Simply put it is a weird jumble of ideas. Aircraft across the world freeze in mid-flight. It's all a ruse by Missy to lure out Clara, so that they can go hunting for the Doctor as Missy has his last will and testament in the form of a confession disc. At the same time a weird alien made up of snakes who works for Davros (didn't he and his creations hate all things not Dalek before this?) is also looking for the Doctor because Davros is on his last legs. When they finally get together it's nothing part running through corridors/Dalek sewers and lengthy not so well written exposition between the Doctor and Davros. The plot is exposed, the Daleks defeated and everyone more or less escapes.

I could take this as a not so great episode but for a couple scenes where we almost get a jump the shark moment (look the phrase up if you haven't heard it before). The lesser one is this weird idea that Daleks cannot ever die and instead continue living as a form of conscious poop in the sewers of Skaro. What? Who let this idea through in the writing department? Seriously. The main one for me is part of the initial meeting of out characters somewhere in medieval England where the Doctor enters the room riding a modern day tank and playing the electric guitar. Again... what? For a television show about time travel, possibilities and occasionally the absurd, this for me broke the verisimilitude of the show. Why would the Doctor do anything like that? Surely that breaks the time travellers rules of messing up the timeline. Especially as they get left behind in medieval England. It spoils the whole first episode for me.

The story as such isn't all that interesting either and doesn't really set up anything with the Doctor or Davros since then, until the time of writing this. It's just a set up for the introduction of two new themes - the confession disc and legends of a half Dalek/half Time Lord hybrid. There have been some good series themes in New Who since it appeared on our screens but this one as it plays out in seasons to come is not one of the best.

More positively, it is good to see Davros back again although there is no explanation has to how he survived the prior encounter during the episode Journey's End". Who villains have survived many times before so that is fine by me. The story does have some nice revelations about Davros and his past, and potentially his inner workings during this two part story and it is probably the only bit of good exposition we get.

I have to be honest and just say that from here on, New Who does take a lengthy dip. Up until where we are with the show at the time of writing this (January 2021) the show has lost something crucial. The stories just aren't as good generally and the show really needs a true fan of the classic era to take over as executive producers and show runners. The Magician's Apprentice and The Witch's Familiar could have been so much better. 

Monday, 16 March 2020

Episode #263 : Last Christmas


The Doctor: Do you know what the big problem is in telling fantasy and reality apart?
Ashley:        What?
The Doctor: They're both ridiculous.

Episode #263:      Last Christmas
Companions:        The 12th Doctor and Clara Oswald.


Air Date:              25th December 2014.

Clara Oswald is in for one Christmas Eve that she's never going to forget. Reunited with the Twelfth Doctor, she faces what could possibly be her last Christmas. Something sinister lurks in an arctic base at the North Pole, and it's beyond even the most terrible, nightmarish creatures the Doctor has faced before. Who ya gonna call? Santa Claus!

Another Christmas story set at Christmas. Why? Could we not have just had an episode that doesn't revolve around it being Christmas. It is so frustrating and as I have said in the past, just so unnecessary. It spoils any sense of immersion for me.

Anyway... I'm never sure what to say about this story. Every time I watch it I feel that the whole Santa thing just makes the episode out to be a joke and not a funny one at that. When the story turns around and becomes a dream horror story it becomes more enjoyable, even watchable but then we have Santa again. I wish that they had stuck with one format or another.

The villains of the story, such as they are, are the Kantrofarri  or dream crabs. Strange alien crustacean like beings that feed on the brains of sleeping beings while keeping their minds active in a sort of dream realm. They resemble the facehuggers from the Alien movies and that even gets a throwaway joke in the episode. They are quite cool little creatures and the way they operate feels rather fitting for a non-intelligent Doctor Who monster. References to them before would have been nice though as it seems they are just dropped in and the viewer is just as in the dark about them as the characters are.

The Doctor and Clara are both on top of their game in this story and there is some nice dialogue between them as they both come to realise that they lied to one another about Danny Pink and Gallifrey. It sort of brings them together again after the break up of the last few episodes. They gel much better here.

All in all, Last Christmas isn't a great episode but it is fun and it has some great moments of suspense and humour. The supporting characters are likeable, even though Santa gets on my nerves, and I probably wouldn't have minded if one or two had been able to become companions. I've given the episode an average 3* rating as although there are elements I dislike I feel I am focusing too heavily upon them and probably not giving the episode its credit.

Thursday, 12 March 2020

Episode #262 : Dark Water / Death in Heaven


"I am not a good man! And I'm not a bad man either. I'm not a hero. I'm definitely not a president, and no, I'm not an officer. You know who I am? I… am… an idiot! With a box and a screwdriver. Passing through. Helping out. Learning. I don't need an army. I never have. Because I've got them, always them, because love is not an emotion. Love is a promise, and he will never hurt her."

Episode #262:      Dark Water / Death in Heaven
Companions:        The 12th Doctor and Clara Oswald.

Air Date:              1st to 8th November 2014.

In the mysterious world of the Nethersphere, plans have been drawn up. Missy is about to come face to face with the Doctor, and an impossible choice is looming. "Death is not an end," promises the sinister organisation known only as 3W – but, as the Doctor and Clara discover, you might wish it was.

When Danny Pink is killed by a hit and run driver, he is pulled into the afterlife of the Nethersphere and Clara will do anything to get the Doctor to save him. A basic premise to this end of season two part story but which soon blossoms into a much larger and stranger story.

First things first, the way Danny is bumped off, off screen feels like a wasted opportunity, not unlike this character throughout this season. Danny Pink had the potential of being a different sort of companion who could have been introduced through the series until the Doctor comes to terms with his past as a soldier and being Clara's love interest. He has a part to play through this particular story but I can't help but feel it was a wasted effort. His final death leaves a potential hole in the series though considering his descendent Orson Pink who appeared in the episode Listen. However,  Steven Moffat has stated that one possible explanation is that Orson was a lateral descendant of Danny's. According to this theory, Clara contacted Danny's relatives after his death and told them of his sacrifice.

Ultimately with this story I have come to dislike the character of Danny and it is simply down to his dislike of the Doctor. The confrontation between cyber-Danny and the Doctor does it all. The Doctor is a hero (even if he says he isn't) and he has his faults but Danny's dislike is beyond the pale.

Next we have Missy, the background villain of the series and the source of the "lady in the shop" who originally gave Clara the phone number of the TARDIS way back in The Bells of Saint John. Missy is here explained to be the new regeneration of The Master. Now I am not a fan of the regeneration gender swap concept, but I must admit that I do love Missy. The weird and quirky female persona quickly grew on me. Michelle Gomez takes the role and makes it her own. Although a bit strange I do love this incarnation of the long running villain.

It is the Cybermen in this story that spoil it for me. It seems that they can't be left alone and instead it seems in every new episode they get an "upgrade". Flying cybermen now and it is just ludicrous. However, the cool scenes of them climbing from their graves is very reminiscent of various zombie movies and is suitably creepy. The story gets a thumbs up for that but could we not just have classic cybermen again?

One last topic I want to speak on is the appearance of cyber-Brigadier. While this was a nice send off perhaps it feels unnecessary. We already had this in a sweet moment from The Wedding of River Song.

Like a lot of new Who it is a rather silly story when you stop to think about it. Exactly what was Missy's plan? Where did she get the cybermen from? Why did they have to fly? Had Missy been collecting dying minds for over a hundred years in real time? I really want the writers and producers to sit down and look at the stories that made classic Doctor Who work so well and try to incorporate those elements into the show. Maybe things wouldn't be so odd and the show might appeal more to both classic and new fans.

Episode #261 : Night in the Forest


"Stars implode, planets grow cold, catastrophe is the metabolism of the universe. I can fight monsters, I can't fight physics."

Episode #261:      Night in the Forest.
Companions:        The 12th Doctor and Clara Oswald.

Air Date:              25th October 2014.

One morning, in every city and town in the world, the human race wakes up to face the most surprising invasion yet. Everywhere, in every land, a forest has grown overnight and taken back the Earth. It doesn't take the Doctor long to discover that the final days of humanity have arrived...

Night in the Forest is one of those unusual stories where there is no actual villain. In fact there is no conflict whatsoever. The story revolves around the idea that overnight (and yet no one saw it) a forest grows up over the world in preparation for some big cataclysmic event which only trees can stop. The Doctor doesn't even do anything in this story. No one does really. They just work out what is happening and let it happen.

It is an okay story and watchable but when nothing happens really it feels like a wasted effort. Too much environmental issues being pushed forth maybe? I don't know but because of how the writers chose to write this one it doesn't really hold water for me.

There is a nice throw back to some earlier stories when Clara says that no one will ever forget this and the Doctor points out how humans forget everything weird that happens to them. The 8th Doctor points this out in Remembrance of the Daleks to Ace that humans don't remember the Yeti in the underground, the Loch Ness Monster in the Thames or any number of weird things. Humans deceive themselves and forget. Just a function of how we can continue withe the Earth based big scale stories that we have I suppose.

I wanted to give this episode a 3 star (average) rating but I can't do it. Nothing happens and the story is just a series of set pieces that don't ultimately lead anywhere.

Tuesday, 10 March 2020

Episode #260 - Flatline


"I tried to talk. I want you to remember that. I tried to reach out. I tried to understand you, but I think that you understand us perfectly. And I think that you just don't care! And I don't know whether you're here to invade, infiltrate or just replace us. I don't suppose it really matters now. You are monsters! That is the role you seem determined to play, so it seems that I must play mine: the man that stops the monsters. I'm sending you back to your own dimension. Who knows? Some of you may even survive the trip. And if you do, remember this: You are not welcome here! This plane is protected! I am the Doctor, and I name you the Boneless!"

Episode #260:      Flatline.
Companions:        The 12th Doctor and Clara Oswald.


Air Date:              18th October 2014.


Separated from the Doctor, Clara discovers a new menace from another dimension. But how do you hide when even the walls are no protection? With people to save and the Doctor trapped, Clara comes up against an enemy that exists beyond human perception.

Another really good horror based episode. This time dealing with two dimensional creatures trying to find their way into our three dimensional universe. The Boneless, as the Doctor calls them, are really cool throwaway monster of the week type opponents. Creepy in appearance as well as the on screen methods they use to drag you away. Bonus points to whoever came up with that idea.

Flatline is a Doctor-lite episode where it focuses on Clara as an active protagonist companion. We haven't had an episode like this for a while and it is a nice change of pace. A plot mechanic (a shrunken TARDIS) keeps the Doctor to the sidelines. Where this works really well is how easily Clara takes on the role and attitudes of the Doctor - something that gets mentioned near the end. The look on the Doctor's face show's exactly how close to the truth that comment was. In previous incarnations the Doctor has proven himself to be manipulative towards his companions and the inhabitants of wherever he turns up. Davros even makes reference to this during the events of The Stolen Earth / Journey's End. We don't always see it as viewers but it is very true. 

Flatline is one my favourite Capaldi era episodes. Excellent monsters, cool plot and well written. 

Saturday, 7 March 2020

Episode #259 : Mummy on the Orient Express


"Would you like to think that about me? Would that make it easier? I didn't know if I could save her. I couldn't save Quell, I couldn't save Moorhouse. There was a good chance that she'd die too. At which point… I would have just moved on to the next… and the next, until I beat it. Sometimes the only choices you have are bad ones, but you still have to choose."

Episode #259:      Mummy of the Orient Express.
Companions:        The 12th Doctor and Clara Oswald.

Air Date:              11th October 2014.

After their previous trip to the moon ended on a sour note, the Doctor decides to take Clara on a final trip in the TARDIS - "our last hoorah!" The destination? There have been many trains that took the name Orient Express, but there's only ever been one that traverses space! However, they find their luxury trip may take an unexpected turn when they discover there's a supernatural passenger...

Mummy on the Orient Express is the sort of story that harks back to the days of classic Who. Swap the fancy sets for flimsy board and polystyrene, and you could easily have the 4th Doctor and Sarah Jane on a starship called the Orient Express playing out this very scenario. It is a great throw back to how classic and new Who can easily gel together. 

Our two time travelling companions decided to have one last adventure together but it turns out to be somethign more than expected. The premise was originally set up at the end of the 11th Doctor story The Big Bang, when they received a phone call in the TARDIS to say about an Egyptian princess lose on the Orient Express. Seems they never did take up that adventure and the individual behind it all has tried on repeated occasions to get the Doctor to go. Nice tie in.

It is another horror themed adventure with some great special effects, make up and atmosphere. Just what you want from Saturday tea time telly. Capaldi gets to shine in this story with some wonderful dialogue and just the right grumpiness that doesn't push over into the absurd like the previous episode.  This time though it seems to be Clara who takes a funny turn. From being so hurt by the Doctor while they were on the Moon she seems to have happily leapt back into the TARDIS with him with little concern for what had happened last time and in part, this time. 

Other than finding out that the mummy was a former soldier from an ancient war, there is no explanation as to who the mysterious Gus was and what they wanted with the mummy. The episode plays into the theme of this season which is the Doctor's dislike of soldiers but I had wondered whether it was anything to do with the "afterlife" plot with Missy but nothing ever comes back to it so I assume not.

Mummy on the Orient Express is a great episode and I would recommend it as one to watch. One of the best of Capaldi's run on the show.