Episode #267: The Woman Who Lived

"People like us, we go on too long. We forget what matters. The last thing we need is each other."

Episode #267:      The Woman Who Lived.

Companions:        The 12th Doctor.

Air Date:             24th October 2015.

Adventuring on his own for a while, the Doctor seeks out an artefact of great power that could spell disaster in the wrong hands: the Eyes of Hades. However, he soon comes face to face with consequences of one of his past acts of compassion, when he meets an immortal he created, who has now lost all hope with a heart filled with centuries of pain.

The Woman Who Lived is a follow up to the previous adventure, The Girl Who Died. The Doctor while travelling without Clara ends up in 1651 and encounters Ashildr again. The general plot of the episode isn't all that great and doesn't really go anywhere worthwhile. However, you aren't watching for the obvious plot story. Instead, The Woman Who Lived is about the darker side of being immortal. Ashildr has grown from an imaginative young girl into a woman who has seen loved ones grow old and die, and has fallen into the grey where she has lived too many lifetimes and has lost some of her humanity. This is what makes the episode in my opinion.

For such a darker episode there is slightly too much humour involved in the attempt to lighten in somewhat. Modern jokes, puns, and gallows humour (literally) cause a loss of immersion for me. I know I keep saying it through these episode reviews but it's a problem with modern Doctor Who. Coming from the Doctor, such quips are fitting and appropriate. It's one of the personality quirks that we like from the character. But when you have characters from the 17th century making such jokes it pulls the immersion out of it's historical placement. 

The Woman Who lived isn't a great episode by any means but it isn't a bad one either. It has it's flaws but generally it works compared to many of the current episode formats. It continues the set up of where the character of Ashildr goes and I like the change to her character and the idea that she has always been there in the background of the Doctor's adventures on Earth and maybe elsewhere. That itself gets a thumbs up from me if the story isn't totally engaging.

Episode #266 : The Girl Who Died

"Immortality isn't living forever, that's not what it feels like. Immortality is everyone else dying. She might meet someone she can't bear to lose. That happens… I believe."

Episode #266:      The Girl Who Died.

Companions:        The 12th Doctor and Clara Oswald.

Air Date:             17th October 2015.

After an adventure and a half in space, the Doctor and Clara are kidnapped by 9th-century Vikings. However, to make matters worse, hostile aliens have also arrived in the vikings' village; they are provoked into declaring war on the village by a stubborn girl. By the end of the adventure, the Doctor will learn where it was that he saw his own face before, and the reason why he chose it.

The Girl Who Died is a nice if average type story. It certainly has it's cool moments but it largely falls into the usual fare of modern Who. I like the story though. We have a historical story, to an extent, with the inclusion of a war like race of aliens pretending to be Odin. one of the Norse gods. Their reasons for why they attack are a bit odd but it's more of a throw away excuse just to bring about some conflict. It has it's silly moments though... speaking baby, for example. For that I give it an average rating.

The villains of the piece, the Mire, are another warlike race of aliens, who attack weaker civilisations presumably because they know they can win. Makes you wonder why so many species in the universe are so hostile really. They are a throw away classic type of Doctor Who villain but they do the job in this story although they are hardly hide behind the sofa type scary. 

There are a two things that make this an enjoyable episode. One is the character of Ashildr, played by Game of Thrones actress Maisie Williams. She is the centre point for the story and a handful yet to come. One of a couple plots arching through this series. The second is some of the dialogue given to our heroes. As I have said in previous episode reviews for the modern show, with a good writer and story, some of the inner workings of the Doctor's character come out with the real feels. There is a nice edge of seat insight to this now very ancient Time Lord that we never/rarely saw in the classic days of the show. 

One such element takes us back to the 12th Doctor's first adventure where he tries to remember where he got his current face from - obviously that of the Roman Lobus Caecilius from The Fires of Pompeii. It is nice to have that throw back and the reminder that he took that face for a reason. We know the Doctor is a hero, a dark hero sometimes, but moments like this remind us that despite the deaths and destruction that follow in his wake, the Doctor does good even when he's a grumpy old man.

Ultimately though this is a story that exists to set up the following episode and the Ashildr storyline to come over this season. It's good but it's average for what I expect from the modern show.

Episode #265 : Under The Lake / Before The Flood

"Listen to me. We all have to face death eventually, be it ours or someone else's."

Episode #265:      Under The Lake / Before The Flood.

Companions:        The 12th Doctor and Clara Oswald.

Air Date:             3rd to 10th October 2015.

Arriving on an underwater base under attack, it's up to the Twelfth Doctor and Clara to save the frightened crew. But also onboard is an alien spaceship, and the base is being haunted by the most impossible of things. The Doctor's deepest beliefs are challenged when he encounters something he cannot explain. Can it really be possible? Can ghosts be real?

With this adventure we are back to having a cool new horror themed episode. I have said for a long time that although Doctor Who is a great science fiction show, it is the quality of it's horror stories specifically that really work for me. With Under The Lake we have a story of a crew of scientist types trapped by ghosts of their deceased co-workers. Stuck in the base with them, the Doctor and Clara must find out why the dead have risen, what they actually are and solve the problem without causing a paradox. 

This adventure is very well written and thought out. The writer, Toby Writhouse, did great here. There is a lot of information to relate to the viewer and he manages it perfectly without being boring or dragging it out. The suspenseful, dare I even say spooky, atmosphere is conveyed brilliantly as well.

The ultimate villain, the Fisher King, harkens back to the days of classic Who in my opinion. His look and scheme scream classic one off Doctor Who monster. Think of the Terrileptils for instance. They are monster suits that look the part of what we expect from the show's classic days. It gets a big thumbs up from me for this and shows that classic style stories and villainious types can have a part in the modern day of New Who.

Speaking of the classic days of Doctor Who, Under The Lake is the sort of story that would have worked great back then and could have done well as a four or five part serial. It is a shame that so much of New Who is one off stories with very few multi-part episodes. We get two parters and maybe three at most. I'd like a season to take the old format of four or five stories but with four of five parts again. I think it is all change because modern audiences don't have the staying power to watch something like that these days sadly.

Under The Lake is one of the great Capaldi episodes and I do recommend it as one to watch, if not as an introduction to new viewers. It doesn't bog you down with the background of the universe but does enthral the viewer and does a great job if introducing the characters. Well worth a watch.

Episode #264: The Magician's Apprentice / The Witch's Familiar

 

"There's no such thing as the Doctor. I’m just a bloke in a box telling stories. I didn’t come here because I'm ashamed. A bit of shame never hurt anyone. I came… because you're sick and you asked. And because sometimes, on a good day, if I try very hard… I’m not some old Time Lord who ran away. I'm the Doctor."

Episode #264:      The Magician's Apprentice / The Witch's Familiar.

Companions:        The 12th Doctor and Clara Oswald.

Air Date:              19th to 26th September 2015.

The serpentine Colony Sarff has searched the entire universe for the Doctor, to give him the final message of Davros; however, the Time Lord is nowhere to be found. This is quite serious, as not even the Doctor's closest frenemy, Missy, is able to find him. Adding onto this is the fact she was given his Confession dial, which in human terms is the last will and testament of the Doctor.

This is an awkward story. Simply put it is a weird jumble of ideas. Aircraft across the world freeze in mid-flight. It's all a ruse by Missy to lure out Clara, so that they can go hunting for the Doctor as Missy has his last will and testament in the form of a confession disc. At the same time a weird alien made up of snakes who works for Davros (didn't he and his creations hate all things not Dalek before this?) is also looking for the Doctor because Davros is on his last legs. When they finally get together it's nothing part running through corridors/Dalek sewers and lengthy not so well written exposition between the Doctor and Davros. The plot is exposed, the Daleks defeated and everyone more or less escapes.

I could take this as a not so great episode but for a couple scenes where we almost get a jump the shark moment (look the phrase up if you haven't heard it before). The lesser one is this weird idea that Daleks cannot ever die and instead continue living as a form of conscious poop in the sewers of Skaro. What? Who let this idea through in the writing department? Seriously. The main one for me is part of the initial meeting of out characters somewhere in medieval England where the Doctor enters the room riding a modern day tank and playing the electric guitar. Again... what? For a television show about time travel, possibilities and occasionally the absurd, this for me broke the verisimilitude of the show. Why would the Doctor do anything like that? Surely that breaks the time travellers rules of messing up the timeline. Especially as they get left behind in medieval England. It spoils the whole first episode for me.

The story as such isn't all that interesting either and doesn't really set up anything with the Doctor or Davros since then, until the time of writing this. It's just a set up for the introduction of two new themes - the confession disc and legends of a half Dalek/half Time Lord hybrid. There have been some good series themes in New Who since it appeared on our screens but this one as it plays out in seasons to come is not one of the best.

More positively, it is good to see Davros back again although there is no explanation has to how he survived the prior encounter during the episode Journey's End". Who villains have survived many times before so that is fine by me. The story does have some nice revelations about Davros and his past, and potentially his inner workings during this two part story and it is probably the only bit of good exposition we get.

I have to be honest and just say that from here on, New Who does take a lengthy dip. Up until where we are with the show at the time of writing this (January 2021) the show has lost something crucial. The stories just aren't as good generally and the show really needs a true fan of the classic era to take over as executive producers and show runners. The Magician's Apprentice and The Witch's Familiar could have been so much better. 

Episode #263 : Last Christmas

The Doctor: Do you know what the big problem is in telling fantasy and reality apart?
Ashley:        What?
The Doctor: They're both ridiculous.

Episode #263:      Last Christmas
Companions:        The 12th Doctor and Clara Oswald.


Air Date:              25th December 2014.

Clara Oswald is in for one Christmas Eve that she's never going to forget. Reunited with the Twelfth Doctor, she faces what could possibly be her last Christmas. Something sinister lurks in an arctic base at the North Pole, and it's beyond even the most terrible, nightmarish creatures the Doctor has faced before. Who ya gonna call? Santa Claus!

Another Christmas story set at Christmas. Why? Could we not have just had an episode that doesn't revolve around it being Christmas. It is so frustrating and as I have said in the past, just so unnecessary. It spoils any sense of immersion for me.

Anyway... I'm never sure what to say about this story. Every time I watch it I feel that the whole Santa thing just makes the episode out to be a joke and not a funny one at that. When the story turns around and becomes a dream horror story it becomes more enjoyable, even watchable but then we have Santa again. I wish that they had stuck with one format or another.

The villains of the story, such as they are, are the Kantrofarri  or dream crabs. Strange alien crustacean like beings that feed on the brains of sleeping beings while keeping their minds active in a sort of dream realm. They resemble the facehuggers from the Alien movies and that even gets a throwaway joke in the episode. They are quite cool little creatures and the way they operate feels rather fitting for a non-intelligent Doctor Who monster. References to them before would have been nice though as it seems they are just dropped in and the viewer is just as in the dark about them as the characters are.

The Doctor and Clara are both on top of their game in this story and there is some nice dialogue between them as they both come to realise that they lied to one another about Danny Pink and Gallifrey. It sort of brings them together again after the break up of the last few episodes. They gel much better here.

All in all, Last Christmas isn't a great episode but it is fun and it has some great moments of suspense and humour. The supporting characters are likeable, even though Santa gets on my nerves, and I probably wouldn't have minded if one or two had been able to become companions. I've given the episode an average 3* rating as although there are elements I dislike I feel I am focusing too heavily upon them and probably not giving the episode its credit.

Episode #262 : Dark Water / Death in Heaven

"I am not a good man! And I'm not a bad man either. I'm not a hero. I'm definitely not a president, and no, I'm not an officer. You know who I am? I… am… an idiot! With a box and a screwdriver. Passing through. Helping out. Learning. I don't need an army. I never have. Because I've got them, always them, because love is not an emotion. Love is a promise, and he will never hurt her."

Episode #262:      Dark Water / Death in Heaven
Companions:        The 12th Doctor and Clara Oswald.

Air Date:              1st to 8th November 2014.

In the mysterious world of the Nethersphere, plans have been drawn up. Missy is about to come face to face with the Doctor, and an impossible choice is looming. "Death is not an end," promises the sinister organisation known only as 3W – but, as the Doctor and Clara discover, you might wish it was.

When Danny Pink is killed by a hit and run driver, he is pulled into the afterlife of the Nethersphere and Clara will do anything to get the Doctor to save him. A basic premise to this end of season two part story but which soon blossoms into a much larger and stranger story.

First things first, the way Danny is bumped off, off screen feels like a wasted opportunity, not unlike this character throughout this season. Danny Pink had the potential of being a different sort of companion who could have been introduced through the series until the Doctor comes to terms with his past as a soldier and being Clara's love interest. He has a part to play through this particular story but I can't help but feel it was a wasted effort. His final death leaves a potential hole in the series though considering his descendent Orson Pink who appeared in the episode Listen. However,  Steven Moffat has stated that one possible explanation is that Orson was a lateral descendant of Danny's. According to this theory, Clara contacted Danny's relatives after his death and told them of his sacrifice.

Ultimately with this story I have come to dislike the character of Danny and it is simply down to his dislike of the Doctor. The confrontation between cyber-Danny and the Doctor does it all. The Doctor is a hero (even if he says he isn't) and he has his faults but Danny's dislike is beyond the pale.

Next we have Missy, the background villain of the series and the source of the "lady in the shop" who originally gave Clara the phone number of the TARDIS way back in The Bells of Saint John. Missy is here explained to be the new regeneration of The Master. Now I am not a fan of the regeneration gender swap concept, but I must admit that I do love Missy. The weird and quirky female persona quickly grew on me. Michelle Gomez takes the role and makes it her own. Although a bit strange I do love this incarnation of the long running villain.

It is the Cybermen in this story that spoil it for me. It seems that they can't be left alone and instead it seems in every new episode they get an "upgrade". Flying cybermen now and it is just ludicrous. However, the cool scenes of them climbing from their graves is very reminiscent of various zombie movies and is suitably creepy. The story gets a thumbs up for that but could we not just have classic cybermen again?

One last topic I want to speak on is the appearance of cyber-Brigadier. While this was a nice send off perhaps it feels unnecessary. We already had this in a sweet moment from The Wedding of River Song.

Like a lot of new Who it is a rather silly story when you stop to think about it. Exactly what was Missy's plan? Where did she get the cybermen from? Why did they have to fly? Had Missy been collecting dying minds for over a hundred years in real time? I really want the writers and producers to sit down and look at the stories that made classic Doctor Who work so well and try to incorporate those elements into the show. Maybe things wouldn't be so odd and the show might appeal more to both classic and new fans.

Episode #261 : Night in the Forest

"Stars implode, planets grow cold, catastrophe is the metabolism of the universe. I can fight monsters, I can't fight physics."

Episode #261:      Night in the Forest.
Companions:        The 12th Doctor and Clara Oswald.

Air Date:              25th October 2014.

One morning, in every city and town in the world, the human race wakes up to face the most surprising invasion yet. Everywhere, in every land, a forest has grown overnight and taken back the Earth. It doesn't take the Doctor long to discover that the final days of humanity have arrived...

Night in the Forest is one of those unusual stories where there is no actual villain. In fact there is no conflict whatsoever. The story revolves around the idea that overnight (and yet no one saw it) a forest grows up over the world in preparation for some big cataclysmic event which only trees can stop. The Doctor doesn't even do anything in this story. No one does really. They just work out what is happening and let it happen.

It is an okay story and watchable but when nothing happens really it feels like a wasted effort. Too much environmental issues being pushed forth maybe? I don't know but because of how the writers chose to write this one it doesn't really hold water for me.

There is a nice throw back to some earlier stories when Clara says that no one will ever forget this and the Doctor points out how humans forget everything weird that happens to them. The 8th Doctor points this out in Remembrance of the Daleks to Ace that humans don't remember the Yeti in the underground, the Loch Ness Monster in the Thames or any number of weird things. Humans deceive themselves and forget. Just a function of how we can continue withe the Earth based big scale stories that we have I suppose.

I wanted to give this episode a 3 star (average) rating but I can't do it. Nothing happens and the story is just a series of set pieces that don't ultimately lead anywhere.